Earglasses*
Mel Chua’s recent post about communication reminded me that I’m lagging on something I started many months ago: trying to find a filter chain in Wavelab that would let her hear things - music in particular - in a manner closer to that of someone with normal hearing.** A while ago she blogged about her auditory response being like that of a low-pass filter, and that made me think about what the most practical way to mitigate that response would be.
I don’t know what the audio-processing algorithms hearing aids use are, but it’s fairly clear that:
- the user doesn’t have much ability to modify them, except perhaps in the case of highly expensive models.
- they probably aren’t terribly powerful, because - judging by digital hearing aids’ power consumption - the processing power available to them is very small.
- although amplification is one of the primary components of a hearing aid’s processing chain, amplification alone won’t combat most hearing difficulties (certainly not Mel’s).
- they are optimised for speech, rather than music.
So I set about trying a different approach: CPU-intensive audio-processing using the best algorithms I could lay my hands on (i.e. Wavelab’s plugins), optimised for music. I set up an EQ stage at the end of the chain, modelled on the graph of Mel’s auditory response, and started applying filters before it in an attempt to make the end result sound as natural as possible. I had a hunch that multiband compression might be more effective for this than EQ - certainly more effective than EQ alone - and so it proved. Partly this is because multiple stages of EQ filtering can induce “ringing” (they become resonant - an unwanted side-effect). Although multi-band compressors include EQ filters to split the signal into bands, these filters didn’t seem to suffer from the same side effects, perhaps because the compression was attenuating any resonances that might have otherwise been present.
Anyhow, a few months ago - long after my first experiment, I was blessed with a few minutes of the Mel’s time, and we tried some of the filter chains, with The Decline as the test track (because it was the only CD I had to hand with a mix that I was familiar with). We were somewhat successful, but I haven’t had time to do much more with the algorithms since then.
I mentioned to Mel that I thought it would be cool to make portable Sharc DSP devices so people could carry their audio processors around with them, set up so that they could select and edit the algorithms. This isn’t very far-fetched. There are lots of battery-powered, pocket sized audio processors on the market at affordable prices (for instance, the Korg Pandora). I don’t know if they use Sharcs, but I do know that many price-breakthrough audio processors with pluggable algorithms that I’ve seen hit the market in recent years have used Sharcs, so they seemed like a good bet. (Mel knew the same company’s devices by a different name, Blackfin, and suggested those. Then we worked out we were talking about essentially the same thing :-] The Blackfin is a sibling product to the Sharc.)
And this is how I come to be writing a blog post called Earglasses. Sunglasses - filters for your eyes - are easy to get hold of, and not even very hard to make, but filters for your ears aren’t so straightforward. I doubt Mel and I can’t make earfilters possible by ourselves because we’re both too busy with other things, so this is where a community effort might come in handy. I’d love to see a bunch of people working to make earfilters - affordable, portable devices with an audio input and a headphone output and ton of helpful, user-programmable algorithms running in between - a reality. So making this an open hardware, open software project seems like the way forward.
I’ve registered earfilter.org and will set up a wiki there shortly. It will be a place that people can post their filter chains (from Wavelab, Audacity, etc), links to useful plug-ins, suggestions for hardware architecture, and anything else that’s relevant.
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*It turns out there actually is a company manufacturing what they call Earglasses, a kind of latter-day ear trumpet. Whaddya know. Their engineering reminds me of Big Ears, which I’ve known about ever since I took up the dubious habit of reading Canford Audio catalogues as a teenager. (Actually, I learned a lot from those catalogues - and from CA’s competitors’ catalogues - which included pinouts, specs, regulations, construction diagrams and all sorts of other nutritious information for enquiring minds.)
**Mel’s post was, of course, not just about hearing. I’ve focused on that aspect of it here because of the earfilter.org idea, which I wanted to let the world know about. Mel’s underlying point is about communication, and I couldn’t agree with her more: any barrier to communication or comprehension can be frustrating. One of the greatest joys, for me, of living in the information age, is that we’re better placed than any previous generation to reduce or eliminate those barriers. Another great joy is that there are so many people working passionately and enthusiastically to do just that.